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This delicate Art Deco silver-tone paper-clip chain suspends coral glass beads in decorative oval settings. The overall effect is dainty elegance. This necklace closes with a spring-ring clasp.
Faceted clear crystal chicklets in sterling silver frames set at an angle give this Art Deco necklace a lot of class. The positioning of the stones adds to the sparkle and makes this piece unique. This necklace, which closes with a hidden push-in clasp, has a matching bracelet. The style of the clasp makes me think this piece was produced in Japan in the late 1940s to early 1950s, one of the Art Deco Revival eras.
Gold-plated fretwork embellished with clear baguette rhinestones form the center of this lovely Post-war snake chain necklace by Coro. A pear-shaped diamanté adorns the tail of the hook closure. This piece is another great example of the work Adolph Katz produced for Corocraft, Coro's high-end line. What's interesting is that this piece appears in an October 1, 1953 Vogue ad with the following copy: "excitingly beautiful as Paris by night ... Vendome by Coro". (Vendome was another one of the company's high-end lines.)
A raised fixed buckle adorned with a unique assortment of rhinestone shapes is surrounded by baguettes in this rhodium-plated line choker by Mazer Bros. It has a jeweled fold-over clasp. This necklace was difficult to photograph because it contours to the neck and, therefore, does not lay flat. This piece was made for a slim neck. Please note the necklace length (14 1/2") and measure your neck before purchasing. The matching bracelet is also available.
Emerald, frosted and clear poured glass beads are wired to gold-tone cable with paste accents, creating a light and airy look. This French necklace has an adjustable hook-and-tail clasp.
A large faceted pear-shaped emerald rhinestone is the focal point in this glamorous Post-war piece designed by Adolph Katz for Corocraft, Coro's high-end line. Emerald rhinestone baguettes embellish the gold-plated fretwork. The snake chain closes with an emerald-topped folder-over clasp.
An alternative to the chicklet, these square-cut glass emeralds are encased in silver-tone metal and are slightly graduated in size. This Art Deco choker features a decorative hidden push-in clasp. This necklace was made for a slim neck, so please note the necklace length (14 1/2") and check your neck size before purchasing this piece. It looks great with my other emerald Art Deco pieces — scroll down to take a look.
Large emerald art glass swirled nuggets with Russian gold end caps are separated by round and melon-shaped beads, rhinestone rondelles and small bead spacers in this classic necklace by Miriam Haskell. This opera-length beauty closes with a box clasp topped with rose montées. Wear this necklace with Haskell's Emerald Bead Post-war Pendant Earrings or her Emerald Melon Bead Post-war Clip-back Earrings. This necklace also looks fabulous when paired with my French Art Deco Emerald Melon Bead Necklace, as shown in the last detailed photo.
Graduated melon-shaped emerald-green glass beads with green-glass spacers and rhinestone rondelles form this statement piece. It has substantial weight and is a stunning color. This necklace was professionally restrung without a clasp. This piece looks amazing with any of my other emerald bead necklaces — see the last two detailed images. You can also wear this necklace with any of my other emerald Art Deco pieces — scroll down to take a look.
Molded emerald glass beads are separated by clear crystals in this long Art Deco necklace. It closes with a screw-barrel clasp. You can wear this necklace long or doubled, as shown in the detailed photos. This piece looks amazing with any of my other emerald bead necklaces, as shown in the last detailed photo. I also have several other emerald Art Deco pieces that work well with this necklace — scroll down to take a look.
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