"Hattie Carnegie" in script on oval cartouche; "PAT. PEND" on ear clip
Emerald, sapphire, amethyst, pink quartz and golden topaz poured-glass stones are embellished with accents of trios of diamanté in these 1950s earrings by Hattie Carnegie. The oval-shaped stones are open back. The setting is gold-tone with clip-backs. The range of colors makes these earrings very versatile and timeless.
This elegant French necklace in the style of Louis Rousselet has elongated faux baroque pearls separated by clusters of small, round faux pearls and blue-glass beads. It has an adjustable hook-and-tail closure. I have other pieces by and in the style of this maker -- scroll down to see them.
These unsigned 1950s earrings with a large sapphire-blue-art-glass stone surrounded with fuchsia glass stones and faux pearls are beautiful. These earrings exhibit typical Schreiner characteristics: stunning art glass, inverted rhinestones, large dog-tooth prongs and donut-hole clip-backs. The combination of blues, fuchsia and white in a silver-tone setting will compliment many outfits, from jeans to dressy attire.
This classic chicklet necklace features square-cut faceted pink-tourmaline-glass stones set in sterling silver frames with a spring-ring clasp. This necklace is an excellent example of an Art Deco classic in a hard-to-find color.
This ruby rhinestone and pearl 1950s bracelet by Hattie Carnegie features rhodium-plated metal with large oval ruby glass cabochons separated by diamanté and faux pearls in raised settings. The bracelet closes with a fold-over clasp. This piece is another elegant and timeless design from one of the best makers of the era. Scroll down to see my Ruby, Diamanté & Pearl Post-war Dangle Earrings, also by Carnegie, for a great coordinating accessory.