Very good (some mild clouding of a few stones on bracelet)
"PENNINO" on brooch back and bracelet clasp
Layered, textured gold-tone petals form flowers with diamanté centers in this 1950s set by Pennino. The bracelet links are joined by textured gold-tone disks. The brooch has a roll-over clasp; the bracelet has a fold-over clasp. The maker’s high-quality design and construction are evident here. Textured metal was a popular motif in 1950s jewelry.
Layers of emerald, sapphire and golden topaz rhinestones are combined with black metal flower petals in this 1950s brooch and earrings set by Hattie Carnegie. Some of the stones appear teal in color, depending on the light. This set is a fine example of her imaginative color combinations, favored floral motifs and complexity of design. What a knock-out! The settings are japanned metal. The brooch has a roll-over safety clasp; the earrings have clip-backs. The last photo shows how fantastic this brooch looks on a dress sash. Although the brooch has a ring to allow the piece to be worn as a pendant, the ring is not sturdy and cannot be replaced without damaging the back of the brooch.
Each piece in this elegant late-1950s set by Elsa Schiaparelli features a faceted citrine glass stone surrounded by tiny pearls in an elaborate, antiqued gold-plated setting. Notice how the faceting of each citrine ― known as a dentelle― forms an eight-pointed star design. Schiaparelli frequently used this cut of glass stone in her pieces. This brooch has a roll-over safety clasp; the matching earrings are clip-backs. You can see the utility patent here, below the names Frederick A. Ballou, Jr. & Rogers T. Stafford.
Jade art glass; amethyst, sapphire and citrine glass stones; and faux pearls set in gold-plated metal with an overlay of filigree flowers and leaves form this 1950s brooch and earrings set by Hobé. Notice the striations in the jade stones and the delicate flower and leaves in gold wire. The brooch has a roll-over safety clasp, and the earrings are clip-backs. This set is a great example of Hobé's'50s Glam look.
Four strands of glass pearls with ruby, sapphire, emerald and amethyst blown-glass-bead and rhinestone-rondelle accents form this stunning 1950s necklace and earrings set by the incomparable French maker Louis Rousselet. (In case you aren't familiar with his work, you need to know that he was regarded as the premier faux pearl maker in the first half of the 20th century.) The necklace closes with a tongue-in-groove clasp adorned with pearls and colored beads. The matching earrings are clip-backs. Fnding a Rousselet-signed piece is incredibly rare (most had only signed paper hang tags), which makes this necklace with matching earrings all the more extraordinary!