Faceted amethyst crystals are capped with silver filigree and suspended from filigree balls in these lovely Art Deco earrings. The original screw-backs were replaced with sterling silver lever-backs for pierced ears by my expert jeweler. These earrings coordinate well with my amethyst Art Deco bracelet and amethyst chicklet necklace.
A bouquet of emerald-cut pale amethyst rhinestone flowers with gold-plated stems and pavé accents is tied with a bow. Even the stem ends are finished with clear rhinestones. These details and the two-piece construction illustrate the high quality Mazer is known for. This brooch has a roll-over safety clasp.
Pale amethyst glass stones are prong-set in sterling silver in this class Art Deco bracelet with a hidden push-in clasp. The stones are a lovely color. This bracelet would look great with my Amethyst Art Deco Necklace with Chicklets and my Amethyst & Silver Filigree Art Deco Earrings.
This Art Deco necklace of square-cut faceted amethyst crystals set in silver-tone frames with a delicate chain is probably sterling, but it is unmarked. It closes with a filigree fish-hook clasp. Please note that the color saturation of the crystals is even ― any differences in the photos are due to lighting. This necklace would look great with my Amethyst & Sterling Art Deco Bracelet and my Amethyst & Silver Filigree Art Deco Earrings.
Amethyst, ruby and peridot rhinestone calla lilies are tied in a bow accented with fuchsia, clear and blue rhinestones. They look as though they're reaching for the sky! The setting has a rose gold wash over sterling silver, with a roll-over safety catch. Another gorgeous Adolf Katz design from Corocraft, Coro's high-end line.
Apple juice celluloid beads and hoops connected with brass filigree findings form these delightful Deco earrings. They are all-original screw-backs.
This Art Deco bracelet features pyramid-shaped aquamarine rhinestones with clear rhinestone links all set in sterling silver with a spring-ring clasp. Although this piece is signed, I cannot identify the maker. This bracelet was made for a slim wrist. Please note the bracelet length (6 3/4") and check your wrist size before purchasing this piece.
Gilded sterling silver links with corded wire spirals hold collet-set faux aquamarines in this Art Deco bracelet by Fahrner. It is an excellent example of the type of filigree the maker is known for. This bracelet has a hidden push-in clasp.
The pavé center is surrounded by aquamarine rhinestones on this brooch that Adolph Katz designed and Coro named Diadem. It has a gold-plated woven border with a roll-over safety-clasp and a loop that allows the piece to be worn as a necklace. An advertisement for a demi-parure in the same design but with all clear rhinestones, reproduced in Marcia Brown's book on Coro, reads: "Diadem Jewels by Coro ... To cast a lovely light about you, an aura of excitement, a glow of elegance ... first magnitude jewels at their starriest heights". Included with the brooch is the gold-plated double snake chain with a diamanté-adorned push-in clasp that accompanied it but may not be original to the brooch. The snake chain was made for a very slender neck, so please note the chain length (14 1/4") and check your neck size before ordering this piece.
These square-cut aquamarine rhinestones are channel set in rhodium-plated sterling silver links with engraved edges, forming an excellent example of an Art Deco line bracelet. Usually worn in multiples, these bracelets were the forerunners of today's tennis bracelets. This one has substantial weight and width, as well as excellent construction and articulation. The hidden push-in clasp has a safety catch. The piece is signed, but I cannot identify the designer.
