These vintage flower earrings have clusters of tiny faux pearls with glass flowers and leaves. The design and style of the beads remind me of the work of the French maker Louis Rousselet, although the ear clips are not the same as those he typically used. However, the findings I'm familiar with would have been too small for this 1950s creation. Please note that although these earrings are not mirror images, the lack of symmetry – which is not unusual in hand-strung pieces – does not detract from their lovely appearance. What a great choice for a bride!

These 1950s pearl cluster earrings resemble a bunch of grapes. They are suspended from a large glass-pearl button mounted on a white-metal filigree back. Though unsigned, these ear clips have the traditional filigree back, ear-clip mechanism, and button-bead at the earlobe typically used by Louis Rousselet. Moreover, the unusual shape of the pearls could only have been made by someone of his caliber. (Note that Rousselet pieces were typically signed only with a paper hang tag.) These beautiful earrings are right for day, evening or bridal/ wedding/prom wear. Scroll down to see a gorgeous brooch with similar pearls and emerald-glass beads.

Pearl and gemstone earrings by Louis Rousselet are a welcome and versatile addition to any jewelry wardrobe. These 1950s French ear clips feature faux pearls in various sizes, with accents of ruby, sapphire, emerald and amethyst hand-wound-glass leaves along with rondelles. Though unsigned, these earrings match a signed necklace and earrings set that I have moved from my personal collection to offer for sale. The type of ear clip used is another clue to the creator, who usually signed his pieces with only paper hang tags. Rousselet was the premier faux pearl and bead maker in the first half of the 20th century. These earrings are a beautiful example of his work. Although the coating on some pearls appears to have bubbles, I think they are intended. Scroll down to see the magnificent necklace and earrings set in the same design.