These baroque pearl earrings have a large, cream-colored glass pearl center encircled by a ring of small, matching round pearls. Though these 1950s earrings are unsigned, the construction (especially the ear-clip mechanism) and materials are consistent with those used by Louis Rousselet. (His pieces were usually only signed with paper hang tags.) These earrings would make a lovely accessory for daytime, evening, or bridal/wedding/prom wear.

Clusters of tiny faux pearls with blown-glass flowers and leaves form these 1950s ear clips. The design and style of the beads remind me of the work of the French maker Louis Rousselet, although the earring backs are not the same as those he typically used. However, the findings I'm familiar with would have been too small for this creation. Please note that although these earrings are not mirror images, the lack of symmetry – which is not unusual in hand-strung pieces – does not detract from their lovely appearance. What a great choice for a bride!

Pearl and gemstone earrings by Louis Rousselet are a welcome and versatile addition to any jewelry wardrobe. These 1950s French ear clips feature faux pearls in various sizes, with accents of ruby, sapphire, emerald and amethyst blown-glass leaves and rondelles. Though unsigned, these earrings match a signed necklace and earrings set that I have moved from my personal collection to offer for sale. The type of ear clip used is another clue to the creator, who usually signed his pieces with only paper hang tags. Rousselet was the premier faux pearl and bead maker in the first half of the 20th century. These earrings are a beautiful example of his work. Although the coating on some pearls appears to have bubbles, I think they are intended. Scroll down to see the magnificent necklace and earrings set in the same design.